Hiring: Direct Response Video Editor & AI Creative Producer
Confidential employer
Hiring: Direct Response Video Editor & AI Creative Producer
Competitor ad recreation • Long-form VSLs • AI UGC • AI doctors/experts • Cartoon ads • Swedish, Danish & English localization
Read this first
We are not hiring someone whose main goal is to make videos look cinematic or aesthetically pleasing.
We are hiring someone who understands that a paid ad has one job: stop the right person, hold their attention, build belief and make them take action.
You should be able to receive a competitor ad, a script or a rough concept and return a complete, conversion-ready creative. That includes reverse-engineering the reference, finding or generating every necessary visual, producing voiceovers, creating captions, editing the video and delivering finished variations for testing.
If you need us to prepare a folder containing every clip before you can begin, this role is not for you.
If you can independently turn a script or reference ad into a finished ad that feels native, credible and built to sell, keep reading.
Who we are
We are a growing direct-response DTC brand in the health and wellness space. Paid social and creative are central to our growth, and we test both short-form ads and long-form VSLs across Meta and other platforms.
We are building an ongoing creative operation rather than hiring a different freelancer for every project. The goal is to find an editor and AI creative producer who learns our products, customers, winning angles and performance data—and becomes more valuable with every batch we produce.
This starts with a lower, paid project volume so we can evaluate the fit on both sides. If your work performs and the collaboration runs smoothly, the volume, responsibility and compensation will increase. The long-term goal is a stable position with ownership over a large part of our creative pipeline.
What you will actually be doing
1. Reverse-engineering and recreating winning ads
We actively research ads that are working in other markets and for adjacent or competing products. You will often receive a reference ad and be asked to rebuild it for our product and market.
This is not blind copying. Your job is to identify why the original works and preserve those conversion-driving elements while replacing the brand, product, claims, language, visuals and market context.
You must be able to break down and recreate:
The hook and first three seconds
Script structure and sales psychology
Pacing, cuts and pattern interrupts
Visual sequence and shot selection
Demonstrations and mechanism explanations
Proof, testimonials and credibility elements
Captions, on-screen text and callouts
Voiceover style, energy and timing
Music, sound design and emotional shifts
Offer presentation and call to action
Some assignments will require a close, shot-by-shot recreation. Others will require you to preserve the underlying structure while producing an original execution for our brand.
You may receive only the reference ad, product information and a few brand assets. You are expected to solve the rest independently.
2. Localizing ads into Swedish, Danish and English
You will recreate and localize ads for Swedish-, Danish- and English-speaking markets.
Localization does not mean translating every sentence word for word. The finished ad must sound as if it was originally written and produced for that market.
You will be responsible for:
Adapting scripts, hooks and CTAs into natural market-specific language
Preserving the meaning, rhythm and persuasion of the original
Adjusting examples, currency, cultural references and terminology when necessary
Creating or sourcing suitable native-sounding voiceovers
Timing the edit around the localized voiceover rather than forcing a translation into the original timing
Producing accurate subtitles and on-screen text in each language
Flagging awkward or questionable wording before production
Native-level Swedish or Danish is a strong advantage. If you are not fluent, you must have a reliable localization workflow and be comfortable working with approved translations and feedback from native speakers.
3. Producing long-form VSLs
You must be comfortable editing sales videos from approximately 2 to 10+ minutes—not only 15-second social clips.
We provide the script or a proven reference. You turn it into a video that holds attention throughout the entire argument.
That includes:
Mapping a visual plan to every section of the script
Finding or creating enough visual variety to prevent retention from collapsing
Using cuts, zooms, graphics, captions and pattern interrupts intentionally
Visualizing problem and solution mechanisms clearly
Building emotional story sequences rather than placing random stock clips over narration
Introducing the product at the correct point in the story
Showing proof, demonstrations, testimonials, reviews and offer elements credibly
Creating visual callbacks and open loops
Maintaining consistent pacing across several minutes
Delivering different hooks or openings for the same proven body when requested
You need to understand that a long-form VSL cannot feel like a slideshow. Every shot must help explain, prove, intensify or move the story forward.
4. Sourcing footage independently
You will be responsible for finding the footage required by the script.
Sources may include:
Licensed stock libraries
Creator or UGC footage that is cleared for commercial use
Organic social content used as a research reference and then recreated appropriately
Product footage supplied by us
Screen recordings
Public-domain or properly licensed archival footage
AI-generated images and video
Custom graphics, animations and mechanism visualizations
You should know how to research visual references on TikTok, Instagram, YouTube and other platforms, identify the exact type of scene the script needs, and then source, license or recreate an appropriate version for commercial use.
You must not simply place random lifestyle clips over a voiceover. If the script says a woman wakes at 2:13 AM, presses the same point near her shoulder blade and opens her laptop, the visuals should communicate that exact moment as convincingly as possible.
5. Generating AI footage and complete AI ads
AI production is a core part of this role, not an occasional bonus.
You must already be able to generate usable commercial footage and know how to fix common AI problems through prompting, reference images, shot design, iteration, compositing, cleanup and upscaling.
Examples of what you may need to create:
Credible doctor, physiotherapist or expert-style presenters
UGC-style customers speaking naturally to camera
Product demonstrations that cannot be filmed practically
Medical or anatomical mechanism visualizations
Before-and-after scenarios without misleading viewers
Consistent characters appearing across multiple scenes
Story-driven scenes in homes, offices, clinics and everyday environments
AI product shots and controlled product placement
Animated explainer sequences
Cartoon and character-led ads
Talking avatars, lip-sync and multilingual versions
Visual metaphors for pain, pressure, stress, sleep or relief
Complete ads produced primarily or entirely with AI
The output cannot look like low-effort AI content. Characters, environments, clothing, product details, lighting and visual style should remain consistent. Motion must feel intentional, and obvious generation errors must be corrected before delivery.
6. Producing UGC, expert, cartoon and other ad formats
We test many formats. You should not be limited to one editing style.
You may be asked to produce:
Native UGC and testimonial-style ads
Doctor or expert advertorial videos
Founder or spokesperson videos
Podcast-style ads
Interview and street-interview concepts
Long-form personal discovery stories
Problem–mechanism–solution VSLs
Listicle and advertorial creatives
AI cartoon stories
Animated explainers
Product demonstration ads
Before-and-after narratives
Short hook-first ads
Static-to-video and image-led ads
Competitor recreations and new variations of existing winners
You should understand how the format changes the viewer's expectations. A native UGC ad should not feel like a polished television commercial, and an expert video should not feel like an obviously fake authority endorsement.
7. Creating captions, graphics, audio and final deliverables
You own the complete post-production process.
This includes:
Accurate subtitles with intentional emphasis
Clean, readable on-screen text for mobile viewers
Kinetic text and callouts where useful
Proper audio levels and voice cleanup
Music and sound design that support the emotional pacing
Colour correction across mixed footage
Removing unwanted text or branding when legally and technically appropriate
Product replacement, tracking and compositing where required
Correct aspect ratios, safe zones, frame rates and export settings
Organized project files and clear version naming
Multiple hooks, CTAs or format variations without rebuilding the entire ad inefficiently
What we need you to understand about direct response
You do not need to be the copywriter, but you must understand the strategy behind the script you are editing.
You should be able to identify:
The target customer and exact problem being called out
The mass desire the ad activates
The problem mechanism: why previous attempts have failed
The solution mechanism: why this approach may work differently
The awareness and sophistication level of the market
The promise, proof, objections and offer
The emotional turning point in the story
Which moments require visual proof rather than generic b-roll
Where retention is likely to drop
Why one hook attracts buyers while another only produces cheap clicks
We want an editor who can challenge a weak visual idea, flag a credibility problem and suggest a stronger way to communicate the same sales point.
Track this external role
Sign in to save this listing and apply through the original source.
Sign in to SaveReport JobOpen Original Listing